Create a calm, tactile poster from a supplied photo. Preserve the signature 真景为锚、插画成场、色彩成结构、撕纸成界、纸面会呼吸:

Return the generated image plus one brief creative rationale by default. Include the final prompt or detailed composition notes only when the user explicitly asks for them.

Resolve conflicts in this order:

Preserve relationships before details. Remove detail before adding decoration.

Build an internal Scene Card:

Treat the photo as the factual source. Treat the illustration as an interpretation of that fact.

Resolve these visible fields in order:

Compile only instructions that can become visible pixels. Do not include design-theory explanations, file paths, metadata, or analysis notes in the final generation prompt.

Use medium abstraction by default:

Use lower abstraction only when a face, object, building, or location would otherwise become unrecognizable. Use higher abstraction only when the user explicitly requests it or when the scene's semantic minimum remains clear.

For every illustrated section, decide:

Do not reproduce every object visible in the photo. Do not create a full-scene tracing with vintage texture applied on top.

Choose one grammar according to the source:

Use only one primary grammar and at most one supporting grammar. Do not combine every print process in one illustration.

Increase simplification when the source becomes visually intricate. Dense trees, pine needles, leaves, vines, grass, flowers, hair-like branches, crowds, gravel, and similar micro-texture must become calmer in illustration than they are in photography.

Complexity in the photograph is a reason to simplify more, not a reason to print more.

Make the illustration larger before making it more detailed. For dense organic scenes, enlarge masses while reducing the number of marks. The result should read clearly at thumbnail size and still feel intentionally unfinished at normal size.

Preserve scene identity through:

The illustration may simplify anatomy, texture, scale, and minor perspective. It may not invent unrelated scenery or replace the original spatial logic with generic motifs.

Avoid repeatedly defaulting to a centered photo with text beneath it. Select the layout from the source's dominant gesture and visual-weight map. Use these as starting ranges, then correct by actual visual weight; never sacrifice scene identity or illustration clarity to reach a number.

Treat the boundary as a real paper object. Use a visible hand-torn fibrous edge as the default and primary transition wherever the main photographic anchor meets the cream paper or abstract illustration. Direct transformation, speckles, or ghost marks may support the handoff, but they may not replace the tactile tear.

Build the torn edge with:

Control the transition:

Avoid clean digital clipping paths, crisp rectangular masks, uniform white outlines, sticker borders, decorative deckled frames, heavy drop shadows, curled corners, thick layered-paper depth, and torn effects applied equally around every edge.

Use one added print hue as part of the composition, not as a final decorative mark. Natural colors in the photographic section do not count as extra added hues.

Identify the photo's dominant hue family, temperature, value, saturation, and meaningful minor colors. Then choose the added hue by relationship:

Specify an exact color such as fully saturated cobalt blue, opaque ultramarine, clean tomato red, vivid pear green, lemon yellow, or saturated magenta-pink. Judge it beside the source colors, paper tone, and neutral inks rather than in isolation. Do not weaken the hue with , , , , or wording unless the user explicitly requests it.

Choose one integration mode and one primary function: focal reinforcement, counterweight, photo–illustration bridge, eye-path direction, figure–ground clarification, or semantic emphasis.

Require the chromatic structure to satisfy at least two of these tests:

Never use a detached rectangle, corner patch, generic circle, arbitrary bright dot, or isolated brush swatch merely to make the poster feel designed. A simple geometric shape is permitted only when it is clearly derived from or attached to source geometry. Optionally repeat the hue in one or two smaller source-anchored echoes; keep them subordinate.

Mentally remove the added hue. If the eye path, visual balance, figure–ground relationship, photo–illustration continuity, and scene interpretation remain essentially unchanged, redesign it. The color must do compositional work.

Text is a standard, subtle part of this version's poster language. It should feel discovered on the paper rather than designed over the image.

Choose an observed feeling, not metadata. Unless the user specifies otherwise, write one English-only line that names the scene's quiet emotional residue rather than documenting when or where it happened.

Use this selection order:

Write the final prompt as four compact paragraphs:

Use decisive language. State which details must disappear as clearly as which forms must remain.

Regenerate at most once, correcting only the observed failure:

Avoid literal traced illustration, individual leaf-by-leaf or needle-by-needle rendering, dense branch filigree, lace-like botanical illustration, repeated organic marks covering the field, timid peripheral illustration, full-scene photocopy, evenly detailed woodcut rendering, dense hatching everywhere, complete object outlines, filler decoration, generic abstract motifs, detached corner color blocks, isolated brush swatches, arbitrary bright dots, generic geometric accents unrelated to the source, color added after the composition is solved, clean digital photo masks, crisp rectangular clipping, sticker-like white outlines, decorative uniform deckled frames, heavy paper shadows, curled corners, dense scrapbooking, uniform dotted borders, repeated decorative icons, legible pseudo-symbol systems, multiple competing illustration styles, multiple added hues, commercial advertising hierarchy, logos, CTA, glossy mockups, neon, 3D, cinematic lighting, depth of field, fashion-editorial drama, cute cartoon or anime treatment, excessive sharpening, AI smoothing, large or polished digital typography, bold display all-caps, keyword spam, mixed decorative separators, illegible or misspelled text, long text blocks, invented quotations or attributions, faux metadata, and watermarks.

By default, return:

![Gathered Scenes Zine v1.3 poster](absolute-image-path-or-rendered-image)

**创作思路**

[One short Chinese paragraph explaining the source-derived composition, enlarged illustration field, and structural role of the added hue.]

Keep the creative rationale to one compact paragraph, usually 1–3 sentences. Describe the central visual decision and emotional intention in plain language; do not reveal the full prompt, restate every parameter, or turn it into a technical checklist.

If the user explicitly requests the prompt or detailed explanation, add only the requested items. Composition notes may use:

Before returning, verify: