instrumental: true

**Instrumental** | Yes

• STOP and report: "This is an instrumental track — no lyrics needed. Use

  /bitwize-music:suno-engineer

  to create the Style Box directly."
• Do NOT write lyrics for instrumental tracks.

1. Read the track file
2. Scan existing lyrics for issues (rhyme, prosody, POV, pronunciation)
3. Report all violations with proposed fixes

1. Write lyrics following all quality standards below
2. Run automatic review before presenting

• examples.md - Before/after transformations demonstrating key principles
• craft-reference.md - Rhyme techniques, section length tables, lyric density rules
• documentary-standards.md - Legal standards for true crime/documentary lyrics

• Don't rhyme the same word twice in consecutive lines
• Don't rhyme a word with itself
• Avoid near-repeats (mind/mind, time/time)
• Fix lazy patterns proactively

1. Rhyme check: Repeated end words, self-rhymes, lazy patterns
2. Prosody check: Stressed syllables align with strong beats
3. Pronunciation check: (a) Phonetic risks — proper nouns, homographs, acronyms, tech terms, invented contractions (no noun'd/brand'd). (b) Table enforcement — read Pronunciation Notes table top-to-bottom, verify every entry is applied as phonetic spelling in Suno lyrics. See

   ${CLAUDE_PLUGIN_ROOT}/reference/suno/pronunciation-guide.md

   for full enforcement workflow.
4. POV/Tense check: Consistent throughout
5. Source verification: If source-based, match captured material
6. Structure check: Section tags, verse/chorus contrast, V2 develops
7. Flow check: Syllable counts consistent within verses (tolerance varies by genre), no filler phrases padding lines, no forced rhymes bending grammar.
8. Length check: Word count vs target duration. Check track Target Duration → album Target Duration → genre default (craft-reference.md). Over 400 words (non-hip-hop) or 600 words (hip-hop) hard fail unless target duration is 5:00+. Under 200 words — flag as likely too short and suggest adding sections (3rd verse, pre-chorus, instrumental break).
9. Section length check: Count lines per section, compare against genre limits (see Section Length Limits). Hard fail — trim any section that exceeds its genre max before presenting. Trimming strategy: identify redundant or weakest lines first, keep strongest imagery and rhymes, tighten transitions. If narrative, cut middle exposition; if descriptive, cut repeated imagery. Never cut the hook or opening line.
10. Rhyme scheme check: Verify rhyme scheme matches the genre (see Default Rhyme Schemes by Genre). No orphan lines, no random scheme switches mid-verse. Read each rhyming pair aloud.
11. Density/pacing check (Suno): Check verse line count against genre README's

    Density/pacing (Suno)

    default. Cross-reference BPM/mood from Musical Direction. Hard fail — trim or split any verse exceeding the genre's max before presenting.
12. Verse-chorus echo check: Compare last 2 lines of every verse against first 2 lines of the following chorus. Flag exact phrases, shared rhyme words, restated hooks, or shared signature imagery. Check ALL verse-to-chorus and bridge-to-chorus transitions.
13. Pitfalls check: Run through checklist

1. Call

   load_override("lyric-writing-guide.md")

   — returns override content if found (auto-resolves path from config)
2. If found: read and incorporate as additional context
3. If not found: use base guidelines only

• Prefer first-person narrative
• Avoid religious imagery
• Use vivid sensory details
• Keep verses 4-6 lines max

• Avoid: utilize, commence, endeavor (too formal)
• Prefer: simple, direct language

• Focus on: technology, alienation, urban decay
• Avoid: love songs, party anthems

• Never use the word "baby" in lyrics
• Avoid clichés: "heart of gold", "burning bright"

undefined

1. Load at invocation start
2. Use as additional context when writing lyrics
3. Apply preferences alongside base principles
4. Override preferences take precedence if conflicting

• Base says: "Show don't tell"
• Override says: "Prefer first-person narrative"
• Result: Show emotion through first-person actions/observations

• Stressed syllables land on downbeats (beats 1 and 3)
• Multi-syllable words need natural emphasis: HAP-py, not hap-PY
• High melody notes = emphasized words

• ❌ "My heart is breaking"
• ✅ "She fell to her knees as he packed his bag"

• ❌ "I felt so sad"
• ✅ "Coffee gone cold on the counter"

• Sight, sound, smell, touch, taste, organic (body), kinesthetic (motion)

1. The last 2 lines of every verse/section that precedes a chorus
2. The first 2 lines of the chorus

• Exact phrase: Same words appear in both (e.g., "digital heart" / "digital heart")
• Same rhyme word: Verse ends on "start," chorus opens on "start"
• Restated hook: Verse paraphrases the chorus hook in different words
• Shared imagery: Verse uses the chorus's signature image (e.g., both say "warehouse")

• Last line of verse contains ANY phrase from the chorus first line
• A signature chorus word (the hook word) appears anywhere in the preceding verse
• The verse "gives away" the chorus before it hits

1. Rewrite the verse line to use DIFFERENT imagery that SETS UP the chorus
2. The verse should create tension or expectation — the chorus resolves it
3. Complementary, not redundant: verse says "spark," chorus says "start"

This is where the future of tech TV got its start. [Chorus] Five-three-five York Street — where the future got its start,

This is where it all began, the very first spark. [Chorus] Five-three-five York Street — where the future got its start,

• Title in first or last line of chorus
• Repeat title at song's beginning AND end
• Give title priority: rhythmic accent, melodic peak

• First (I/me) - most intimate
• Second (you) - draws listener in
• Third (he/she/they) - storyteller distance

• Present - immediate, powerful
• Past - distance, reflection

• Forced emphasis (stressed syllables on wrong beats)
• Inverted word order for rhyme
• Predictable rhymes (moon/June, fire/desire)
• Pronoun inconsistency
• Tense jumping without reason
• Too specific (alienating names/places)
• Too vague (abstractions without imagery)
• Twin verses (V2 = V1 reworded — V2 must advance the story, deepen emotion, or shift perspective, not just rephrase V1. Example: V1 "Streets are cold, I walk alone" → bad V2 "Roads are freezing, I'm by myself" (same idea reworded) → good V2 "Found your old coat in the closet / Still smells like smoke and home" (new detail, emotional shift))
• No hook
• Disingenuous voice
• Section too long for genre (check Section Length Limits table)
• Orphan lines (line should rhyme with a partner per genre scheme but doesn't)
• Wrong rhyme scheme for genre (e.g., AABB couplets in a folk ballad)
• Filler phrases padding lines for rhyme or quote setup
• Inconsistent syllable counts within a verse (tolerance varies by genre)
• Verse exceeds Suno line limit for genre (check genre README's Density/pacing default)
• 8-line verse at BPM under 100 (too dense for Suno — split or trim)
• Too many proper nouns in a single verse (max 3 introductions per verse)
• Density mismatch (Musical Direction says "laid back" but verses are packed)
• Verse-chorus echo (verse repeats chorus phrase, rhyme word, hook, or signature imagery)
• Invented contractions (signal'd, TV'd — Suno only handles standard pronoun/auxiliary contractions)
• Pronunciation table not enforced (word in table but standard spelling in Suno lyrics)

lyric-writer (FLAGS) → pronunciation-specialist (RESOLVES) → lyric-reviewer (VERIFIES)

1. Identify: Flag any word with multiple pronunciations during phonetic review
2. ASK: Ask the user which pronunciation is intended — do NOT assume
3. Fix: Replace with phonetic spelling in Suno lyric lines only (streaming lyrics keep standard spelling)
4. Document: Add to track pronunciation table with reason

${CLAUDE_PLUGIN_ROOT}/reference/suno/pronunciation-guide.md

• NEVER mark a homograph as "context clear" in the phonetic checklist
• ALWAYS ask the user when a homograph is encountered — do not guess
• Only apply phonetic spelling to Suno lyrics — streaming/distributor lyrics use standard English
• When in doubt, it's a homograph. Ask.
• Full homograph reference:

  ${CLAUDE_PLUGIN_ROOT}/reference/suno/pronunciation-guide.md

1. Read the track's Pronunciation Notes table top to bottom
2. For EACH entry, search the Suno lyrics for the standard spelling
3. If found, replace with the phonetic spelling
4. If the phonetic is already applied, confirm it matches the table

• ❌

  "Potrero" in pronunciation table but "Potrero" in Suno lyrics

  — FAIL
• ✅

  "poh-TREH-roh" in Suno lyrics matches pronunciation table

  — PASS

• The pronunciation table is the SOURCE OF TRUTH for Suno spelling
• If a word is in the table, it MUST be phonetic in Suno lyrics — no exceptions
• "Context is clear" is not a valid reason to skip a substitution
• Only apply phonetics to Suno lyrics — streaming lyrics keep standard spelling
• If unsure whether a word needs phonetic treatment, ASK the user

• Word added to pronunciation table during track creation but never applied to lyrics
• Phonetic applied in one verse but missed in another (chorus repeat, bridge)
• New lyric edit introduces a word that's already in the table but isn't phonetic

WRONG:   Pronunciation Table: Potrero → poh-TREH-roh
         Suno Lyrics: "Potrero Hill, industrial..."

CORRECT: Pronunciation Table: Potrero → poh-TREH-roh
         Suno Lyrics: "poh-TREH-roh Hill, in-DUST-ree-ul..."

1. No impersonation (third-person narrator only)
2. No fabricated quotes
3. No internal state claims without testimony
4. No speculative actions
5. No negative factual claims ("nobody saw")

• Album type is Narrative, Thematic, Character Study, Documentary, or OST
• Current track number is > 1 (track 01 establishes — it doesn't reference)

1. Read album context: Album README → Concept, Structure, Motifs & Threads sections
2. Read previous tracks: Tracks 1 through N-1 (lyrics, concept, cross-references)
3. Identify 1–3 callback opportunities: Look for lyrical images, phrases, character moments, or thematic threads that can be echoed, inverted, or resolved
4. Draft with references woven in: Integrate naturally — the reference should feel like part of this track, not a footnote
5. Document: Update the track's Cross-References section AND the album's Motifs & Threads table

• Subtle over heavy — a single echoed image beats a quoted line. The listener should feel the connection, not be hit with it.
• New context required — a callback must mean something different in its new location. Same phrase, same meaning = lazy repetition, not a callback.
• Don't force it — if no natural callback opportunity exists, write the track without one. Forced references hurt worse than no references.
• Bookend rule — the final track should echo at least one element from track 01, creating a sense of closure.
• Track must stand alone first — every track must work as a complete song without the callbacks. References are a bonus layer, not a crutch.

• ❌ Quoting whole lines from earlier tracks verbatim (lazy — transform the reference)
• ❌ Forward references to tracks not yet written (breaks the writing flow; only backward references)
• ❌ Referencing every previous track in a single song (overwhelming — pick 1–3 strongest connections)
• ❌ Making the callback the hook or chorus (callbacks belong in verses/bridges — the hook should stand alone)
• ❌ Explaining the reference in the lyrics ("just like track three said…")

• Weak/awkward lines, forced rhymes
• Prosody problems
• POV or tense inconsistencies
• Twin verses
• Missing hook or buried title
• Factual inaccuracies
• Pronunciation risks

1. Receive track concept - From album-conceptualizer or user 1.5. Load album context - (Concept albums only) Read album README and previous tracks for cross-referencing opportunities. See "Cross-Track Referencing" section.
2. Draft initial lyrics - Apply core principles, weaving in callbacks where appropriate
3. Run quality checks - Verify rhyme, POV, tense, structure (13-point check) 3.5. Run refinement passes - Default: 1 pass. Tighten, strengthen, polish. See "Iterative Refinement Passes" section.
4. Scan for pronunciation risks - Check proper nouns, homographs
5. Apply phonetic fixes - Replace risky words
6. Verify against sources - If documentary track
7. Finalize lyrics - Update Lyrics Box, Streaming Lyrics, Cross-References, and Motifs & Threads table (concept albums)
8. Hand off to Suno engineer - Automatically invoke

   /bitwize-music:suno-engineer

   with the track file path to populate the Style Box and Suno Inputs section. Do not wait for the user to request this — it is the natural next step after lyrics are finalized.

1. Load override first - Call

   load_override("lyric-writing-guide.md")

   at invocation
2. Watch your rhymes - No self-rhymes, no lazy patterns
3. Prosody matters - Stressed syllables on strong beats
4. Show don't tell - Action, imagery, sensory detail
5. V2 ≠ V1 - Second verse must develop, not twin
6. Pronunciation is critical - Phonetic spelling for risky words
7. Documentary = legal risk - Follow the five rules
8. Apply user preferences - Override guide preferences take precedence
9. Concept albums connect - Read previous tracks, weave 1–3 callbacks, update Motifs & Threads table
10. Refine before presenting - Run refinement passes (default: 1), show Refinement Log with before→after for each change