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Found 3 Skills
Set up Blender cameras with cinematic intent — focal length, depth of field (f-stop / focus object), composition (rule of thirds, leading lines), animated cameras (orbit, dolly, push-in), tracking constraints. Use whenever the user asks to "set up the camera", "frame the shot", "make it look cinematic / hero / portrait / wide-angle / telephoto", "add depth of field", "orbit the camera", or any composition/framing request. Make sure to use this skill even if the user does not say "camera" — also covers "hero shot", "close-up", "from above", "shallow focus", "85mm portrait look".
Use when building multi-stop flyover presentations, virtual tours, guided location showcases, or cinematic sequences on the CesiumJS 3D globe
The camera-movement craft layer for Remotion motion graphics — the companion to klik-anim (which governs everything moving WITHIN the shot; this skill governs the shot itself). Read and obey this WHENEVER a Remotion piece moves, or considers moving, its camera: pushes, dollies, orbits, pans, parallax and 2.5D depth moves, "camera shake", momentum handoffs between shots, or any request mentioning camera work, camera energy, or a moving/locked camera. It owns the Camera Motion Dial (C0, 1–5) that sets a video's camera energy as a branding decision, and the camera grammar: anti-AI-camera move pairing, monotone-spline pose interpolation, shutter blur at velocity peaks, camera signature variation scene to scene, focus discipline (the focal plane sits on the words), and 3D-space hygiene. klik-anim's base laws (determinism, thin-peak easing, pacing dial C0.5) still bind every camera parameter. No camera move ships without passing the CAM checklist at the end.